?Ripped
from the Headlines? ? and a bit of Stieg Larsson
The latest
episode of L&O: SVU,
?Branded,? certainly seemed like an original story, even without the usual
disclaimer that ?the preceding story was fictional.? But one of the
characters ? even though ?no actual person or event was depicted? ? was too,
too familiar. Not necessarily to readers of daily newspapers, weekly
magazines or the regular watchers of the evening news, but to anyone who has
read The Girl with the Dragon Tatoo or The Girl Who Played with Fire by the late Stieg Larsson.
It seems to
me that so many of the personal and physical attributes of SVU?s Carmen
character seem to be drawn from the Lisbeth Sanders character in Stieg
Larsson?s novels that some mention of the source or influence should have been
given ? even in the fleeting, uncapitalized credits that rolled at the
conclusion of the program.
I composed
this list as I was watching the story unfold last night (10/20/10), a few days
after I finished Girl...Fire.
I didn?t revisit any of Larsson?s texts or replay any part of the episode.
I certainly don?t present this as any type of L&O research, nor am I obsessed with Stieg
Larsson. It?s just a gut reaction to a specific episode of a
well-respected television show.
STIEG
LARSSONL&O:
SVU
"Branded"
a skinny
girla
skinny girl
raped when she
was young teenraped
when she was 14
decreed insane by
court?that
girl is obviously mentally ill"
craziness was
held over her?branded?
extremely
intelligentextraordinarily
high score on state aptitude test
super genius
computer hacker?she?s
a hacker?
low self-esteem?I?m
a nobody"
not very social?who?d
believe the word of a little nobody?
foster homesfoster
homes
patientallowed
a lot of time to pass between her rape and revenge
inscribed message
on chest on her rapist?s chestinscribed
message on chest on her rapist?s
chest
While there are
other similarities I missed, not every aspect of their character or life
stories is parallel. Lisbeth did not have a child (that we know of ) and
certainly wouldn?t cry in a precinct house ? not even alone with Olivia.
I am not
suggesting that anything was plagiarized or that the writers or the Story
Editor had any obligation to validate their originality or explain their
personal literary influences. As a reader or viewer, it?s actually fun to
enjoy those d?j? vu moments when you recognize a character (or similar one)
from a different context. It?s like listening to quartet play a piece
where the saxophonist quotes a Coltrane arpeggio or the pianist some Red
Garland harmonies in their individual improvisations. You recognize it ?
or you don?t.
But if one
of my students had written a story and paralleled a character so closely, that
certainly would have lead to a discussions on everything from modeling a
character on someone else?s creation or actually copying someone else?s text
without some kind of citation or acknowledgement.
It seems to me
that so many of the personal and physical attributes of SVU?s Carmen character
seem to be drawn from the Lisbeth Sanders character in Stieg Larsson?s novels
that some mention of the source or influence should have been given ? even in
the fleeting, uncapitalized credits that rolled at the conclusion of the
program.
?Ripped
from the Headlines? ? and a bit of Stieg Larsson
The latest
episode of L&O: SVU,
?Branded,? certainly seemed like an original story, even without the usual
disclaimer that ?the preceding story was fictional.? But one of the
characters ? even though ?no actual person or event was depicted? ? was too,
too familiar. Not necessarily to readers of daily newspapers, weekly
magazines or the regular watchers of the evening news, but to anyone who has
read The Girl with the Dragon Tatoo or The Girl Who Played with Fire by the late Stieg Larsson.
It seems to
me that so many of the personal and physical attributes of SVU?s Carmen
character seem to be drawn from the Lisbeth Sanders character in Stieg
Larsson?s novels that some mention of the source or influence should have been
given ? even in the fleeting, uncapitalized credits that rolled at the
conclusion of the program.
I composed
this list as I was watching the story unfold last night (10/20/10), a few days
after I finished Girl...Fire.
I didn?t revisit any of Larsson?s texts or replay any part of the episode.
I certainly don?t present this as any type of L&O research, nor am I obsessed with Stieg
Larsson. It?s just a gut reaction to a specific episode of a
well-respected television show.
STIEG
LARSSONL&O:
SVU
"Branded"
a skinny
girla
skinny girl
raped when she
was young teenraped
when she was 14
decreed insane by
court?that
girl is obviously mentally ill"
craziness was
held over her?branded?
extremely
intelligentextraordinarily
high score on state aptitude test
super genius
computer hacker?she?s
a hacker?
low self-esteem?I?m
a nobody"
not very social?who?d
believe the word of a little nobody?
foster homesfoster
homes
patientallowed
a lot of time to pass between her rape and revenge
inscribed message
on chest on her rapist?s chestinscribed
message on chest on her rapist?s
chest
While there are
other similarities I missed, not every aspect of their character or life
stories is parallel. Lisbeth did not have a child (that we know of ) and
certainly wouldn?t cry in a precinct house ? not even alone with Olivia.
I am not
suggesting that anything was plagiarized or that the writers or the Story
Editor had any obligation to validate their originality or explain their
personal literary influences. As a reader or viewer, it?s actually fun to
enjoy those d?j? vu moments when you recognize a character (or similar one)
from a different context. It?s like listening to quartet play a piece
where the saxophonist quotes a Coltrane arpeggio or the pianist some Red
Garland harmonies in their individual improvisations. You recognize it ?
or you don?t.
But if one
of my students had written a story and paralleled a character so closely, that
certainly would have lead to a discussions on everything from modeling a
character on someone else?s creation or actually copying someone else?s text
without some kind of citation or acknowledgement.
It seems to me
that so many of the personal and physical attributes of SVU?s Carmen character
seem to be drawn from the Lisbeth Sanders character in Stieg Larsson?s novels
that some mention of the source or influence should have been given ? even in
the fleeting, uncapitalized credits that rolled at the conclusion of the
program.
Re: Anyone watching SVU?
?Ripped from the Headlines? ? and a bit of Stieg Larsson
The latest episode of L&O: SVU, ?Branded,? certainly seemed like an original story, even without the usual disclaimer that ?the preceding story was fictional.? But one of the characters ? even though ?no actual person or event was depicted? ? was too, too familiar. Not necessarily to readers of daily newspapers, weekly magazines or the regular watchers of the evening news, but to anyone who has read The Girl with the Dragon Tatoo or The Girl Who Played with Fire by the late Stieg Larsson.
It seems to me that so many of the personal and physical attributes of SVU?s Carmen character seem to be drawn from the Lisbeth Sanders character in Stieg Larsson?s novels that some mention of the source or influence should have been given ? even in the fleeting, uncapitalized credits that rolled at the conclusion of the program.
I composed this list as I was watching the story unfold last night (10/20/10), a few days after I finished Girl...Fire. I didn?t revisit any of Larsson?s texts or replay any part of the episode. I certainly don?t present this as any type of L&O research, nor am I obsessed with Stieg Larsson. It?s just a gut reaction to a specific episode of a well-respected television show.
STIEG LARSSON L&O: SVU "Branded"
a skinny girl a skinny girl
raped when she was young teen raped when she was 14
decreed insane by court ?that girl is obviously mentally ill"
craziness was held over her ?branded?
extremely intelligent extraordinarily high score on state aptitude test
super genius computer hacker ?she?s a hacker?
low self-esteem ?I?m a nobody"
not very social ?who?d believe the word of a little nobody?
foster homes foster homes
patient allowed a lot of time to pass between her rape and revenge
inscribed message on chest on her rapist?s chest inscribed message on chest on her rapist?s chest
While there are other similarities I missed, not every aspect of their character or life stories is parallel. Lisbeth did not have a child (that we know of ) and certainly wouldn?t cry in a precinct house ? not even alone with Olivia.
I am not suggesting that anything was plagiarized or that the writers or the Story Editor had any obligation to validate their originality or explain their personal literary influences. As a reader or viewer, it?s actually fun to enjoy those d?j? vu moments when you recognize a character (or similar one) from a different context. It?s like listening to quartet play a piece where the saxophonist quotes a Coltrane arpeggio or the pianist some Red Garland harmonies in their individual improvisations. You recognize it ? or you don?t.
But if one of my students had written a story and paralleled a character so closely, that certainly would have lead to a discussions on everything from modeling a character on someone else?s creation or actually copying someone else?s text without some kind of citation or acknowledgement.
It seems to me that so many of the personal and physical attributes of SVU?s Carmen character seem to be drawn from the Lisbeth Sanders character in Stieg Larsson?s novels that some mention of the source or influence should have been given ? even in the fleeting, uncapitalized credits that rolled at the conclusion of the program.
?Ripped from the Headlines? ? and a bit of Stieg Larsson
The latest episode of L&O: SVU, ?Branded,? certainly seemed like an original story, even without the usual disclaimer that ?the preceding story was fictional.? But one of the characters ? even though ?no actual person or event was depicted? ? was too, too familiar. Not necessarily to readers of daily newspapers, weekly magazines or the regular watchers of the evening news, but to anyone who has read The Girl with the Dragon Tatoo or The Girl Who Played with Fire by the late Stieg Larsson.
It seems to me that so many of the personal and physical attributes of SVU?s Carmen character seem to be drawn from the Lisbeth Sanders character in Stieg Larsson?s novels that some mention of the source or influence should have been given ? even in the fleeting, uncapitalized credits that rolled at the conclusion of the program.
I composed this list as I was watching the story unfold last night (10/20/10), a few days after I finished Girl...Fire. I didn?t revisit any of Larsson?s texts or replay any part of the episode. I certainly don?t present this as any type of L&O research, nor am I obsessed with Stieg Larsson. It?s just a gut reaction to a specific episode of a well-respected television show.
STIEG LARSSON L&O: SVU "Branded"
a skinny girl a skinny girl
raped when she was young teen raped when she was 14
decreed insane by court ?that girl is obviously mentally ill"
craziness was held over her ?branded?
extremely intelligent extraordinarily high score on state aptitude test
super genius computer hacker ?she?s a hacker?
low self-esteem ?I?m a nobody"
not very social ?who?d believe the word of a little nobody?
foster homes foster homes
patient allowed a lot of time to pass between her rape and revenge
inscribed message on chest on her rapist?s chest inscribed message on chest on her rapist?s chest
While there are other similarities I missed, not every aspect of their character or life stories is parallel. Lisbeth did not have a child (that we know of ) and certainly wouldn?t cry in a precinct house ? not even alone with Olivia.
I am not suggesting that anything was plagiarized or that the writers or the Story Editor had any obligation to validate their originality or explain their personal literary influences. As a reader or viewer, it?s actually fun to enjoy those d?j? vu moments when you recognize a character (or similar one) from a different context. It?s like listening to quartet play a piece where the saxophonist quotes a Coltrane arpeggio or the pianist some Red Garland harmonies in their individual improvisations. You recognize it ? or you don?t.
But if one of my students had written a story and paralleled a character so closely, that certainly would have lead to a discussions on everything from modeling a character on someone else?s creation or actually copying someone else?s text without some kind of citation or acknowledgement.
It seems to me that so many of the personal and physical attributes of SVU?s Carmen character seem to be drawn from the Lisbeth Sanders character in Stieg Larsson?s novels that some mention of the source or influence should have been given ? even in the fleeting, uncapitalized credits that rolled at the conclusion of the program.